
Paul Sharits
Biography
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Directed Films

Fluxfilm Anthology 1962-1970

Rapture

Brancusi's Sculpture Garden at Tirgu Jiu

3rd Degree

Bad Burns

Episodic Generation

Declarative Mode

Epileptic Seizure Comparison

Tails

Analytical Studies IV: Blank Color Frames

Apparent Motion

Analytical Studies III - Color Frame Passages

Synchronousoundtracks

Axiomatic Granularity

Sound Strip/Film Strip

S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED

Inferential Current

Analytical Studies I: The Film Frame

Analytical Studies II: Unframed Lines

T,O,U,C,H,I,N,G

N:O:T:H:I:N:G

Razor Blades

Word Movie

Sears Catalogue 1-3
Also Appeared In

Paul Sharits

Funtime at the Vasulkas

Birth of a Nation

Rapture

Home Movies 1971-81

Cinématon n°120 : Paul Sharits

Cinématon

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
