
Lothar Lambert
Biography
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.
Directed Films

All My Tumbler Girls, or All About Women Who Dare to...

Thank God I’m in the Film Business!

From Here to Vanity

And God Created Make-Up

Blonde to the Bone

Love/Hate Lola

Gut drauf, schlecht dran

You Elvis, Me Monroe

Liebe, Tod und kleine Teufel

Desert of Love

Gestatten, Bestatter

Paso Doble

Drama in Blond

Fräulein Berlin

Fucking City

The Nightmare Woman

Now or Never

Tiergarten

Late Show

Faux Pas de Deux

1 Berlin-Harlem

A Touch of Longing: His Fight
Also Appeared In

Carl Andersens Underground der Liebe

Lost and Found in Underground: Lothar Lambert's Psycho City

From Here to Vanity

Blonde to the Bone

Love/Hate Lola

A Fairy for Dessert

You Elvis, Me Monroe

Kismet Kismet

Utopia

Fucking City

Dirty Daughters oder Die Hure und der Hurensohn
