
George Albert Smith
Biography
Along with his better-known French counterpart Georges Méliès, George Albert Smith, usually credited as G.A. Smith, was one of the first filmmakers to explore fictional and fantastic themes, often using surprisingly sophisticated special effects. His background was ideal – an established portrait photographer, he also had a long-standing interest in show business, running a tourist attraction in his native Brighton featuring a fortune teller. His films were among the first to feature such innovations as superimposition (Smith patented a double-exposure system in 1897), close-ups and scene transitions involving wipes and focus pulls. He also patented Kinemacolor – the world's first commercial cinema color system--in 1906, which was extremely successful for a time, despite the special equipment required to project it
Directed Films

Early British Films from the Filmoteca de Catalunya 1897-1909

Animated Doll and Toy Town Circus

Tartans of Scottish Clans

Two Clowns

Sir Hiram Maxim's Captive Flying Machines

Venice and the Grand Canal

The Sick Kitten

Mary Jane's Mishap

Old London Street Scenes

Mother Goose Nursery Rhymes

Policeman and Burglar

The Death of Poor Joe

Photograph Taken From An Area Window

Grandma's Reading Glass

The Old Maid's Valentine

The House That Jack Built

As Seen Through a Telescope

Let Me Dream Again

Grandma Threading Her Needle

The Rival Clothiers

Two Old Sports

The Kiss in the Tunnel

The Inexhaustible Cab
